Captured by an ironic mind’s eye, Forbes’ imagery is record of stopping along the way while moving around clichés of detritus to see sentiment and exuberance in the ephemera of cultural memory.

“Forbes takes up the Group of Seven’s idealization of Nature to invoke the sublime in technically perfect surfaces that link home to region to landscape.”

– Matt Macintosh, Curator, Carmichael Canadian Landscape Exhibition, Orillia Museum of Art & History